WGBH ANNUAL REPORT 2006 - 2007
 
JOURNALISM THAT MATTERS
"Frontline has done a remarkable job of asking the tough, unpopular questions about the US war on terror."
The Tampa Tribune
THAT MATTERS

Beyond the Front Line

Five years after 9/11, Frontline continues to probe the most important story of our time. This season's powerful trilogy—Return of the Taliban, The Enemy Within, and The Lost Year in Iraq—personifies the in-depth reporting of complex global issues that makes the series and its Web site "must-see" viewing. So much so that following the premiere of producer Martin Smith's courageous report from the Taliban-controlled, lawless Pakistani tribal area along the Afghan border, US Army officials requested rush copies for Afghan President Hamid Karzai. That program was "the latest reminder that we don't just parachute our correspondents in for a couple of days in Kabul," says Frontline executive producer David Fanning. And Frontline's content lives on long after broadcast, through an extensive online archive of programs and materials available to view anytime. Adds Fanning, "journalism that matters is what Frontline is all about."

Two Cape Cods

For those who can afford it, life is good on Cape Cod. But for the region's 58,000 working poor, the price of living year-round in an affluent summer paradise is steep. Two Cape Cods: Hidden Poverty on the Cape and Islands, a 20-part investigation by WGBH's Cape and Islands NPR® Stations,

Cape Cod
won audience praise as a "profoundly insightful series that should be heard by every taxpayer on the Cape," and netted the young stations one of broadcasting's most prestigious honors: their first duPont-Columbia Award. WGBH launched the regional radio service in 2000 to fill the information gap for listeners in this previously underserved area. "Thanks for providing both a precious community resource," wrote one, "and an ear on the rest of the world."

All Politics Is Local

Greater Boston was the place to turn for Massachusetts gubernatorial campaign coverage, on air and online. Executive

Greater Boston
editor/host Emily Rooney's in-depth profiles of all the candidates, including now-Governor Deval Patrick—along with live debates, field reports on ballot initiatives, and a daily election blog—scored high marks with the press and public. No surprise the WGBH local production is considered the "program of record." In 2006, some 500 political and cultural newsmakers,
from Boston Mayor Thomas Menino to actress Meryl Streep, were interviewed. And the show's popular Friday-night media watch, Beat the Press, brought its signature journalistic scrutiny to deconstructing what the media covered that week, and why. "As Boston's only locally owned and controlled television broadcaster," Rooney says, "we're here to respond not only to the day's events, but also to the community's concerns."

In the Shadows

Africa's largest slum has a reputation for danger. Yet Dr. Sheri Fink, the passionate physician-reporter for The World, WGBH's international newsmagazine, seized the challenge to put a human face on life deep inside Nairobi's Kibera settlement. "I wanted a global audience to know why decades of development assistance have failed to stem the shocking growth of slums," she says, "and hear personal stories of how intelligent, ambitious young people, with dreams like mine, are struggling to create a

Kibera Settlement
better future for themselves and their impoverished communities." Some 2.2 million listeners nationwide, on air and online, heard Cities of the Poor, the powerful four-part series on urban poverty, on The World, a WGBH co-production with the BBC and PRI.

Out of Africa

Veteran broadcast journalist Charlayne Hunter-Gault discussed her memoir, New News Out of Africa: Uncovering Africa's Renaissance, and dispelled common myths about the continent on Basic Black, WGBH's long-running local series focused on the interests of people of color. Like Greater Boston, La Plaza, and Eye on Education, Basic Black provides a regular showcase for the voices and concerns of WGBH's diverse regional audiences to be heard on TV, and accessed on demand, and via podcasts and vodcasts, whenever and wherever viewers choose.

Charlayne Hunter-Gault